Table of Contents
Letter
from the Editor
by Maureen James
We can all do things to help pass the
torch on to others by sharing resources to
draw newcomers into the world of glass art.
Elk
Design by Robert Ody
A 12" x 17-7/8" panel for advanced
artists. Carefully selecting areas for
cutting the glass to match the pattern helps
to add a painterly effect to the panel, and
layering it provides more depth to the
scene. The herringbone ripple used for the
conifers, in particular, adds realism to the
trees. Copper foil overlay is used for
adding detailing to the elk. This project
was constructed using the copper foil
technique.
Fused Aspen Trees
Design by Judi Hartman
Three 3" x 8" seasonal fused panels
representing spring, fall, and winter. The
aspen trees are created using frit colors
that are purchased and also created from
scrap glass. Black stringer helps to add
details to the tree bark. Clear tabs are
added to the panels so they can be joined
together after completion if desired.
Leafy Garden Tiles
Design by Carol Giffin
Two 4"-square plus one 1-1/2" x 8-1/2"
rectangular tiles. Painted details are used
to highlight the veins in real, leathery
leaves, such as ivy or ferns, which are then
placed between opalescent and clear glass
pieces and fused together. The tiles can be
used as coasters, framed for wall hangings,
or used to finish the edge of backsplash
tiles.
Mosaic Guitar
Design by Donna Wold
A 13" x 38-1/2" free-form glass mosaic
guitar panel. The precut guitar form from
Creator’s Stained Glass is covered with
tesserae that were made from colored and
mirrored glass using the Beetle Bits Cutting
System. Tuning pegs on top of the guitar
neck are formed from polymer clay and
attached with metal rods.
Dicro Slide™ and Colored Glass
by Georgia Speelman
Information on how to incorporate Dicro
Slide into glass projects. Tips and
techniques are included for creating various
patterns using Dicro Slide, which can be
used with almost any plain glass. A chart
showing color shifts after the product is
fired is also provided.
Nativity Christmas Candleholder
Design by Csaba Osvath
A 5-1/4" x 8-1/2" cube-shaped
candleholder with contemporary design. The
project is made from four panels that are
assembled to form a cube. Included in this
beginner how-to are easy-to-follow
instructions for keeping the panels square,
marking patterns to make matching the glass
to the pattern easier, and getting
professional results when applying with the
solder. This project was constructed using
the copper foil technique.
The Techniques and Secrets of
Beautiful Glass Painting—Silhouettes
Design by David Williams and Stephen
Byrne
A 5" x 4" free-form cockerel design.
The rooster is painted and fired onto
stained glass. Basic principles of glass
painting plus unique tips to help ensure
success with painting silhouettes on glass
are presented.
Quick & Easy Holiday Patterns
Designs by Marianne Crivellaro
Set of seven stained glass projects.
These holiday suncatchers and small panels
include an angel, lamppost, Santa mouse,
cat, bear, rocking horse, and Santa that
will make perfect gifts. These projects were
constructed using the copper foil technique.
Nativity
Design by Terra Parma
A seven-piece set of free-form Nativity
characters. Included are an angel, Joseph,
Mary and Baby Jesus, wise men, a shepherd
with his sheep, camels, and a donkey.
Instructions are also provided for creating
the stable and star. These projects were
constructed using the copper foil technique.
16-Page Full-Size
Pattern Section
16 Bonus Patterns
Craft Corner—A Closer Look at System
96®
by Scandia Wood and Sarah
Peterson
Information on using the resources and
tips found on the System 96 website.
Information regarding various areas of the
website, such as a list of glass components
included in the System 96 group, methods for
using the glass, and project guides are
presented.
Nuggets Unlimited
Design by Holly Stedman
A 29-1/2" x 29-1/2" geometric panel. An
amoeba-like central design is decorated
using a multitude of glass nuggets to give
the project added interest. Suggestions are
given for ways to map the position of the
nuggets before gluing by making a rubbing of
the design. Red sculptural clay is used to
create a “corral” to keep the nuggets in
place while making the panel. This project
was constructed using the copper foil
technique.
Stained Glass Christmas Tree
Design by Nonnie Lyketsos
A 3-5/8" x 3-5/8" x 7-1/2" stained
glass tree. This three-dimensional,
pyramid-shaped tree is constructed by
applying caulk with cake decorating bags and
tips to assemble the glass tree pieces and
to add the glass candy, nugget, and piped
decorations. The tree is mounted on a wooden
base, which is completed with the addition
of purchased wooden feet.
Perfect Pickin’s
Design by Karen Stephenson
A 12-1/2" x 11-3/4" panel with crow and
grapevines. Careful selection and placement
of the glass adds extra realism to the
roundness of the grapes, the texture of the
leaves, and the feathers on the crow. This
project was constructed using the copper
foil technique.
Bountiful Harvest
Design by Karen Stephenson
A 23-7/8" x 10-1/4" arched still life
with filled cornucopia. The panel is a
perfect addition to anyone’s Thanksgiving
decor. Careful glass pattern matching and
color selection adds depth and realism to
the scene. This project was constructed
using the copper foil technique.
Hanging Grapes
Design by Janet Schrader
A three-dimensional fused glass scene.
Techniques are provided for using small
glass components with the goal of creating
more realism in fused glass art. Layering
the glass plus using frit for coloring and
objects and stringer for detailing all add
to the realism, depth, and appeal of the
project. Directions for firing the panel are
included.
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